JOYCE AUDY ZARINS
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still images with info

Blue steel against green trees. Atop a tall rectangle is a simple tree limb with a little person on top whistling as he steps off.
8.5' long red steel pinecone held up on one end by 5 ocher colored pipes on a grey shadow. City setting.
Huge red steel Strobus cone with Chicago skyline and lake.
Int he woods a tall silvery steel plant with three leaves rises. A figure dangles from one leaf, high above ground. Below four figures hold a small safety net. Can they save him?
The figure dangles precariously from the leaf.
Four figures hold a small net and watch the figure above.
Golden bronze upswept sculpture with wings on top. On lawn by a stone wall with trees and mansion in back.
Closeup of Optimism showing the smoothly finished fabricated bronze.
Dark steel sculpture reminiscent of a horseshoe crab suspended vertically over a base with curved steel rod to suggest water. There is a small door in front.
The small door in Suspended Perception is open revealing a backlit skeltonized leaf.
In a gallery full of people three eight foot tall steel maple seeds stand amid sunlight coming through windows of the Atlleboro Museum.
Outdoors in a sculpture garden partially paved with granite slabs, is tall silvery steel Perseverance. A home shape is topped by a family of wrenches and below is the shadow supporting the sculpture.
Perseverance in my studio against a  white wall to make it more easily visible.
Against a white wall a tall dark sculpture with a round center and a square footing. At the top two shapes made of discarded tools rise.
Against lawn and evergreens of the Moses-Kent House Museum three steel shapes rest. Their bases are geometric and atop each are organic flame or wind-like shapes curling and twisting upward.
Silhouetted against a window at U Mass Boston, the silvery steel sculpture has a rectangular bottom from which organic shapes curl and twist upward like fire or smoke.
Kinetic Forces Upright shown with other scultpures against a row of windows in a long architectural environment.
A wedge shape is on a larger body supported by a steel panel in back and a wooden organ pipe in front over a round base. In back is a handle that can be turned and a wheel to rotate.
Indoors a sculpture with arcs and circular and square elements.
Black sculpture with an enso-like circle on top held up by two arms. An open door reveals a face-like shape.
Outdoors, a red abstract sculpture with upright elements.
Three shapes made of interlocking maple leaves, each painted red, white and black. Outdoors at the Fuller Museum.
At Maudslay State Park, a second view of If Trees Were Men.
Nine foot tall abstraction including Fibonacci spacing, a large circular form and a big slab of cherry wood.
Dark metallic vertical abstract sculpture with two supports, linear elements, a circle and a small aluminum head with male and female faces.
Grey linear steel abstraction with a rocker bottom and a pivoting central element that has a small figure on one end.
On the lawn at the Moses-Kent House Museum, three abstract, curving steel elements - one dark rust colored, one white, and one grey.
Title means Welding Men and Women. Dark sculpture vaguely human-like with positive and negative shapes of figures, trees, and other cut-outs.
Repeating solid and linear forms in threes with two wire horseshoe carbs attached.
A wire horseshoe crab against the dark brown steel of the sculpture.

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  • Home
  • 3D
    • sculpture
    • small works
    • environmental
    • evidences
  • 2D
    • depictions
    • earth flag
    • holgas
  • Process
  • Bio
  • Writing
  • Contact
  • Blog